We have asked our tutors, while they are marooned in isolation, which 8 tracks mean the most to them, so we can share some new listening ideas with you and find out a bit more about them. This week, guitarist Mark Eden, introduces his picks.
Mark is a tutor at the Royal Birmingham Conservatoire, one half of the Eden Stell Guitar Duo, and one quarter of the Vida Quartet. Mark studied at the Royal Academy of Music where he won the Julian Bream Prize and graduated with the highest performing achievements and the Principal’s Prize. He was awarded grants from the Worshipful Company of Musicians to continue studies in Brussels with Sergio and Odair Assad. Both of his ensembles have achieved international acclaim and continue to perform at some of the most prestigious venues, International guitar and music festivals all over the world. Mark has recorded eight CDs receiving many press reviews, including ‘Editors’ Choice’ in Gramophone and recording of the week in The Observer, and has appeared on ITV, BBC and many European networks.
“It really is too tricky to select just 8 tracks; I love too many pieces of music. To add to the complexity, my choices are just as much about the artists as they are about the composer. Rather like Saffron, I have gone for pieces which have made an impact on me when I was young. I could make a top 50 easily, but here’s my 8 – but before we get underway, I must make a special mention to Vaughan Williams’ ‘Fantasia on a Theme by Tallis’ and ‘The Lark Ascending’; Nigel North (lute) playing Bach and Dowland; Schubert’s ‘Unfinished Symphony’; Steven Isserlis playing Bach cello suites; The Jam; Beethoven; Martha Argerich playing anything; Sir András Schiff playing anything; The Police; Debussy; Scarlatti; Chopin; Britten; Prince; Stephen Dodgson; and guitarists Sergio & Odair Assad, Segovia & John Williams to name just a few. Sorry… had to get those out also.”
Track 1: Simon & Garfunkel – For Emily (LIVE)
I should really just say that any of the songs from the Simon & Garfunkel Greatest Hits album (or tape in our case) is my first choice. My first truly memorable musical experience driving down to Cornwall in the mid 70’s with my parents and sisters in an old car and a tape player sitting in the foot well. We just kept playing it over and over… well Cornwall felt further away back then! We all loved the songs and I can still remember all the words and tunes. ‘For Emily’ sums up this hazy hot summer in Mawgan Porth, where our hotel was like something out of “Monsieur Hulot’s Holiday”. Art Garfunkel’s voice is like an angel’s, and Simon’s guitar playing must have made something click inside me. I love the triplets strummed in the guitar part at the highest point of the song.
Track 2: The Smiths – This Charming Man
I was defiantly a closet Smiths fan. I never saw them live but I did have most of their albums and this song sums up my teenage 80’s angst. I love the way the words tell a story which your own imagination can elaborate on.
Track 3: Federico Mompou – Suburbs
This is one of Mompou’s early piano pieces which put him on the map. It also sums up his personality as someone who was a loner, who walked the streets of his beloved Barcelona taking in the atmospheres and life going on around him. “The Street, the guitar and the old horse” is particularly poignant. I guess I’m a sucker for music with a degree of melancholy and nostalgia.
Track 4: Enrique Granados – ‘Dedicatoria’ from Album for the Young (Played by Julian Bream)
This choice has more to do with Bream rather than perhaps the beautifully simple piece by Granados. Before I heard this, I was playing the guitar in a rock band and even though I was doing classical guitar grades, I had no idea what a classical guitarist was. A geography teacher at my high school gave me a tape of Bream playing Granados and Albéniz… my head went BOOM! when I first heard Bream’s tone. Almost every other guitarist I meet today admits that Bream was the reason they wanted to learn to play the guitar, and I guess it is the same for me. To sound this simple and musical is very hard but Bream makes it look easy.
Track 5: Manuel de Falla – Harpsichord Concerto (Played by Kipnis and Boulez)
This piece might be one of the most amazing and quirky piece composed in my opinion. I can’t quite put my finger on why it fascinates me. Neo-classical in style with moments of high Spanish baroque and Stravinsky-like originality. One might not associate Falla with this piece if you didn’t know it was by him; you would usually think of his ‘Nights in the Gardens of Spain’, or ‘El Amor Brujo’, but Falla never felt he needed to repeat himself like other composers. He was notorious for his meticulous approach to composing, which is probably why he didn’t write a huge number of pieces. Falla’s one and only original guitar piece, ‘Homenaje, pour le Tombeau de Claude Debussy’, is only 3 minutes long but Benjamin Britten described it as having 15 mins worth of music. This recording is stunning as the tempos are just right (not too fast) and Boulez brings clarity to the musical detail.
Track 6: John Dowland – Captain Digorie Piper’s Galliard (Played by Julian Bream)
Another Bream choice but this time on the lute, and we owe him a huge debt of gratitude for single handedly bringing this ancient instrument back from the annals of history. Bream is a natural contrapuntal player – you can hear the clear polyphony – but he also makes everything sing. He’s a true master and one which Dowland would have greatly admired. Dowland is also a great love of mine. He had a complicated life in troubled times, being a Catholic in England in the 1590s, and probably a spy. He was really the first musical superstar of Europe with his most famous work ‘Lachrimae’ being bootlegged as far afield as Italy. I played this piece for my final recital at the RAM.
Track 7: Maurice Ravel – String Quartet in F major (Played by Quartetto Italiano)
When I first heard this piece I couldn’t believe that someone could compose something so beautiful. I bought this actual recording by Quartetto Italiano as a Birthday present for my father, but I think he never got much of a chance to listen to it as I played it over and over again marvelling at its originality and genius. It sparked a life long passion for Ravel’s music, especially his piano works and his genius orchestration. The pizzicato Scherzo second movement is so funky. Another great moment is the haunting second subject melody from the first movement which Ravel brings back in the recapitulation, but in the major just by changing the cello part… genius!
Track 8: Leoš Janáček – Sinfonietta
This piece was introduced to me by an English teacher at high school and is a great musical description of the current crisis, with musical feelings of struggle and victory over adversity. Janáček’s composition and orchestration is highly original. He didn’t become a serious composer until much later in his life, finding inspiration in a platonic love affair with a younger lady called Kamila Stösslová. Janáček makes me think that nothing is too late to try your hand at. Jackdaws is a great champion of inspiring amateur musicians to try and learn new instruments and music so this choice feels apt. Janáček’s swirling motives, haunting melodies, soaring brass and beating timpani really feels like you have climbed the Mount Everest of music.
VIDA celebrated this announcement with a fundraising concert on Saturday 3 December; their last before heading off on tour to the United States at the beginning of 2017. The concert raised important funds for Jackdaws and was a great treat for the local community.
Then, in April, we received news that a long-time supporter of Jackdaws, Sarah Wheeler, had also passed away. She was a supporter of Jackdaws from the beginning, and a long time friend of Maureen. Sarah led the fundraising campaign that allowed us to buy our building, and when Maureen passed away in 2010, it was she who helped to organise the concert in her memory. She was a great lover of art and music and was a passionate believer in the healing power of both. As a result, she founded the 