Italian Opera: from Baroque to
Verismo
25-29 May 2000
Laura Sarti
Hein Botenberg (accompanist)
Ability 
Course Fee £220 (Deposit £40) 5 days
plus B & B £16 per person per night. This course will start with tea at 4 p.m.
For advanced students and aspiring
professionals. Ensembles (duets, trios etc.) especially welcome.
The course will concentrate on the close
relationship between the Italian language and the music it has inspired.
Clarity of declamation, understanding of text
and dramatic situation will be gone into, as well as the vocal colours which the different
vowels lend to the musical line, giving rise to the tonal chiaroscuro which is the
essential ingredient of Italianate singing, and its principal expressive tool. The
differences in style characterising Baroque practice, the Classic period (Mozart and Haydn
for example) Bel Canto and later Romantic and Verismo works will also be examined.
Participants should bring at least three or
four arias, one to include a recitative. Songs, cantatas etc., will also be acceptable.
Laura Sarti, mezzo-soprano,
was born in Trieste, Northern Italy; her operatic career began at Glyndebourne where she
was chosen by Maestro Gui for the role of Berta in a production and EMI recording of ÔThe
Barber of Seville', the cast including Victoria de Los Angeles and Luigi Alva.
A founder cast member of Scottish Opera and
Kent Opera, she also appeared at the Wexford, Braganz and Aix-en-Provence International
Festivals encompassing over thirty roles. Her extensive broadcasting experience includes
de Falla's ÔLa Vida Breve' with Margaret Price in the first colour television opera.
A professor and Fellow of the Guildhall
School of Music and Drama since the 1970's she has developed an international reputation
as a teacher and regularly gives masterclasses in Britain, France, Switzerland, Sweden,
Germany and Ireland. Her students are drawn from all over Europe and many have gained
acceptance on advanced courses at Guildhall and other leading Conservatories; they also
appear with leading national and international opera companies. |